February 20, 2025
Whenever I think of Tuesdays with Morrie, my mind immediately goes to my beloved, now long-retired (but forever young) colleague, Julie. As the recently-released anniversary audiobook informed me, it’s been 25 years since the book’s publication. When it came out, the book created a buzz; everyone was reading it, including Julie’s husband, whose reaction was emotional. The book touched something deep—for him and for so many. I remember Julie saying—“But this is new to him; we live in this world.” Julie was not dismissing any of the impact of Albom’s book, but she did contextualize it in a way that has been memorable to me. I held off reading the book—in part, because I felt I would react similarly to both Julie’s husband and to Julie, and both reactions would carry their own version of heaviness or even pain. Other reactions threatened as well: What if something about Morrie as a professor, as a person, as a mentor would lay on me as a judgment of some deficiency? Or what if my connection would be too precise and worry me about the passing of everything?
I had read some of Albom’s other work, and I found him so readable and relatable. In beginning my journey into Tuesdays this morning, I learned that he graduated college in 1979, the year I graduated. So we’re connected, in age at least. Just where will the connections lead?
As I listened to the opening chapters, I was struck by the balanced approach Albom has taken to hagiography. Morrie immediately comes across as special, yes; but he also is presented as completely relatable. He’s a regular person, possibly scared; he’s larger than life, yes, but frail and ordinary too. In his “living funeral” we see something many of us have thought about, attending our own funeral. So even such distinctive episodes strike me as something not dramatic or heroic or extreme. The early onset to the disease, with the series of “ends,” all narrate very understandable progressions in the inevitable process, and Morrie’s reactions seem reasonable, both quotidian and poignant in equal measures.
My early reaction is one of gratitude. Thank you, Mitch Albom, for bringing us here, into the quotidian and cosmic feelings of things that the experience of death brings to bear. I’m just recently past my January 23-February 5 cycle, and so, thoughts of loss and grief are still with me, if mostly in echoes. I took some time today to re-read some blog entries of mine, and I’m struck at just how elegiac I’ve become. But Albom is elegiac too—in a way befitting Morrie, and in a way that might nudge me out of my current groove I’ve been descending into the past 14 years. Albom’s elegy no doubt is uplifting and epideictic about life in ways I have avoided or found impossible. But there’s something I’m sensing about Albom’s book already that perhaps might nudge me towards a new groove (is it possible to be “nudged” to a new groove? Isn’t a forceful shove/leap necessary?). My connections with Albom—his humility, his kindness, his awed appreciation, his registering of simple moments—have a capacity to nudge/shove me in ways that I suppose I guessed at earlier, and thus I avoided contact. I think I anticipated I would delve in too far—or maybe, quite simply, I wanted a little more of my own processing of things before falling under the spell, either of Morrie or Albom, as mentor.
I took a dip into my blog because others had been there this past week. My St. Norbert colleagues are embroiled in their Laurie Joyner days, and some have read my memoirs of SXU’s conflict with Joyner that I’ve posted, most recently in an “unsent” letter to the faculty of SNC. The entry I read today was “The Day Before February 5,” which grew out of two SSW sessions four years ago. It tells the story of Terry telling a story. He was rocking and swirling a bit in his recliner in the alley that day that Loretta and I delivered him his new recliner. How I enjoy the memories of that story, now multiple stories, bringing back my mother and Ang, and Terry’s unique memory and style.
So, my first reaction to Albom is to think that maybe I can start pulling myself out of the darker strands of elegy that have consumed me. I have been descending further and further—out of good intentions I think—as though there were no other options. My good intention was to try to capture what was “true.” I felt the heartaches of my past fourteen years—the death of Angelo, the challenges of faculty union leadership, the woes of Joyner, the Trump experience, the elimination of the English major and humanities at SXU and elsewhere, the despair over the climate and the prospects for the future—all of it needed naming. I needed to bear witness, as I like to say so much these days. But Albom is pointing in a slightly different direction, which may eventually produce a diametrical outcome? What if we focus on something of hope and promise amidst the guarantees of loss and pain?
I remember when Morrie was featured in Nightline over a couple of different episodes—before and after his death, as I recall. So, I got to see and hear Morrie himself before any presentation of him, now these many years later, through Albom’s book. I felt the identification, as he seemed to be the kind of person, the kind of professor, I aspired to be eventually. But that was in 1995, one year before SXU entered my life, the year Moira was born, a few years into the Kevin era, and just a few months into my Ph.D. life-changing status of things. I certainly wasn’t ready for elegy then. I think so much of the 90s these days—all that nostalgia that Gen has made me aware of, and, truth be told, my heart breaks (ah, elegy, tough to let go), as the aura of possibility then was more or less absolute. So hopeful I was, and perhaps that’s part of the reason I held this book at arm’s length. Ain’t nobody got time for that. That time will come. With all the threats at our door today, I do think the time has come. I need the intervention now, and I look forward to my “Tuesdays,” in the car, on audiobook, as I make my way to and fro to my classes in February 2025, my penultimate February of classes.